Cabinet 49
Antique 1880 French Opera PREMIER Costume AIDA Verdi Paris Egyptian Pastel Blue Sun Fade Gold 19th Century
Antique 1880 French Opera PREMIER Costume AIDA Verdi Paris Egyptian Pastel Blue Sun Fade Gold 19th Century
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1880 Paris Opera Costume – Aida Premiere, Palais Garnier
An exceptional and historically significant opera costume, created for the 1880 Paris premiere of Giuseppe Verdi’s Aida at the Palais Garnier. Verdi himself conducted the performance—an event that marked both a cultural milestone and a visual spectacle in the golden era of grand opera. This costume is one of only two known surviving examples which I have from that specific production—an extraordinary relic of 19th-century stagecraft.
Aida had premiered a decade earlier in Cairo (1871), but its Paris debut was staged with particular grandeur, tailored to the ornate surroundings and high expectations of the French capital’s elite. Costumes were designed to reflect the opera’s ancient Egyptian setting, while aligning with the theatrical tastes of the time—favoring symbolism, exoticism, and dramatic silhouettes.
This pinafore-style tunic is constructed from lightweight blue wool and lined in cotton or linen. It is entirely hand-sewn. The upper section features sun and moon appliqués—celestial symbols often used in 19th-century theatre to suggest power, mystery, or fate. The lower panel features pyramid and column (or stylized tree) motifs, referencing Egypt’s architectural legacy. Gold metallic ribbon adds subtle ornamentation, shimmering under stage lights.
The garment fastens at the back with bone buttons and is gathered into a tulip-like shape—both sculptural and practical for stage movement. Every element reflects the craftsmanship of the Parisian costumiers who worked at the height of operatic production, combining historical references with dramatic design for impact under gaslight.
Measurements:
Underarm: 19.5” across
Waist: 17.5” across
Length (shoulder to front hem): 47.5”
Condition:
Freshly hand-laundered and gently steamed. There are several small holes at the front and two earlier, visible hand-stitched repairs. These signs of age are consistent with stage use and do not diminish the costume’s integrity or presence.
A rare and museum-worthy piece—ideal for collectors, institutions, or scholars of opera, theatre history, or 19th-century costume design.
Please review the photos carefully and feel free to reach out with any questions.